On this fall

I am not keen on making this, my blog, a place where I wring myself and all my innermost feelings inside out and put them on display.
I am not keen on how this, my blog, has become a pit of the darkest of loneliness, cold feet and doubt.
When it was supposed to be a profound and burning masterpiece on all things fair, femme, crip….

Well, the truth of that matter is this. I am not really okay these days. This has been one of the most bizarre falls in my entire life. I have made progress, at least on the map. I relocated from A to B, from the rural to the anti-rural from roads made from grovel to the Capital, and people told me it was brave and mature and that I was doing something extraordinary, and under my breath I muttered… fuck you… kindly but sternly… fuck…fuck you..

And I made my way, from close proximity with a very fiery landlady and her bratty cat to my own chilly and draughty apartment, made more and more my own, and less and less and anonymous set of walls.
I struggled; I can’t say I didn’t do that. But I kept my head up. And they said I was brave again, and they wondered how I was doing, like really doing…and I whispered fuck….fuck you…kindly but sternly fuck you all…

For a couple of weeks all was blissful between my new four walls. My very own room. Katarina came from Oslo and we indulged in food and drank beer and laughed till we cried like we always have. And she went away again and I was strong, I kept my head up and I was fucking going to make this…kindly but sternly I said fuck…fuck you…

I got straight B’s, I read all my books, wrote all my papers. Drank rivers of tea. Marvelled my own work as in throbbing words on paper, as in striped backs, as in smiles on other peoples’ faces. And I dreamed of lifting that very strong butchy chin and whispering kindly but sternly…fuck you….please let me…

Slowly but steadily and not at all kindly, confinement dawned on me. I was still brave, I was still strong and determined and I still knew how to do it they said.
I remember calling her, telling I could never do it, that they would never pick me amongst thousands and thousands…she laughed in that sniggering manner and said she would have to humbly disagree with that.
But it’s true, the deadline is creeping up, and I am not even halfway there and I am not sure, I am not ever sure I will do it. I worry deeply that I just can’t.

There is only a tiny sea between us, it’s not even a sea it’s a lake. And she came to visit, and she left me a shivering, shattered mess of girl. And it’s pretty much downhill from that, I couldn’t make it out. They said I had been too nice, that I’d given too much, I said I should have listen to my mother…and I still dream of plucking up the courage to say. Fuck you, perhaps a bit unkind and maybe not all that stern, but fuck you…

I don’t remember December much, confinement hogtied me. I remember the 5th of it. A bunker, razzle dazzle, short short skirts, silk blouses, crosses, laughter, shivering knees, success.
Then I think I just slept and slept, and sometimes people visited me. And I made my way out and up on that stage, and transfixed my gaze on to her and her striped shirt was the most gorgeous shirt I had ever…. And she said, were you nervous? And I said no… and they said I was brave, and I was strong and determined and I filled my lungs with victory and held my tongue…fuck…no …bless you, kindly but sternly…bless you.

Now I am back at point A and last night I was snowed in at my cousins house, and all was warm and funny, and we spoke of my grandfather who would have been a 93 years old yesterday, and I told them how much I worried and they didn’t understand why, because people very rarely do… and didn’t care about they fact that they didn’t get it….

I am back up tomorrow. Because I am always back up, bouncy me, right? And I am not giving up now. Because that would mean that this fall the most odd and heart-sickening of falls would be it, and that’s not fair! I am worth a lot more as any last chapter of anything….

On this evening

Blue days, as the sunlight leaves this place even before I get out of bed.
I am really, really tired today. It comes from physical strain, the strain of three and a half carless hours shopping with butchy PA. But it has made me gloomy. I can’t push it back now. The Blue. It’s November and resistance is futile.

I didn’t think I would get these feelings again, these fall depressions, these feelings of being caged in. I called a very dear and old friend last night, you know one of those you once said you’d marry, if things had just been right. And as I spoke to her I felt the tears welling up.
I am a bit sad now, I said. I feel it, I feel left out even though nobody is leaving me out, as such.

And I felt it today as well, you know as a sledgehammer right between my breasts, a little below that spot where the bra rests on the bone. BAM!, it said. You’re confined it howled.
It hits me now and then, that I actually am in this city, but I havent thought about it for a while.

It’s tricky. I don’t want to be needy; I don’t want to be that person that grows sad from the thought of hanging up the phone. Last time it hit me it was that. Just that.

She said: Bye…
I said: … yeah… bye…
She said: Are you okay?
I said: … No….

I am kind of hoping it’s just November that makes me cry now. I don’t want this to be permanent; anyhow I kind of know it’s not. I was alright; I was more than alright today when I strolled that mall and bought those things.
Still, I came home, I slept, I ate and it hit me.

Swedish works better to sum it up today….

Något gräver ut sorgens tomrum, ekande, under bröstbenet.

On paralysation

This is not what I have been intending to post here. There should have been a fabulous post on my mother life, or more so the way I picture my mother’s life, a couple of weeks ago.
But then I had to study really hard for this exam, and while doing so let other things slip (i.e all that wasn’t my exam).
And recently I have been feeling quite down from being so far behind on my paper, I feel like I haven’t written shit, it’s true I haven’t and the deadline is Tuesday.

I don't know how I ever got to be in this pit, I was pretty chirpy about this all last week. I felt like I was getting my life together finally, I even got the flu shot.
And yes, due to that I had fever and couldn't get out to bed for my Doctors appointment on Thursday and then I was right back on the slope.

Today I experienced, even though I don't like writing it I must, angst. Real angst. I went to lie down for a bit and had set my alarm on my cell phone in order to get up and continue my reading for the paper. And the alarm rang and rang over and over again and I just let it do it. I couldn't make myself to get out of bed. I wasn't tired, and I knew very well indeed how much I needed to write that paper and read those articles.
I felt a sensation I haven't felt for years, that one when you feel like there is carbonic acid in your chest. And I just laid there and felt the tingle of angst in my chest, and there was nothing I could do about it.

So having tossed and turned for almost two hours underneath my duvet and having serious thoughts of just giving up and going to bed for real right then and there, I got up and hade a real late dinner (well, at least by Swedish standards..)


I am intending to make this an early night and try my best again tomorrow. I am not getting a B on this one people. Let’s just pray I hand it in.

I think it’s the theory that gets in the way. I could write a hundred thousand papers on clothing and external objects worn in popular culture that restricts the human body and their influence on the performance of their wearer, if it wasn't for feeling the pressure of always having to reference the most adequate theory that deals with that. Bloody academia, set me free!
Maybe that’s the way to do it, just ramble my heart out and look up theories that fit that later…God, I don't know.

I just hate myself for having procrastinated this so much, this is insane. Truly. I did have an exam for sure, but I have had five days!
I am going to pull it off, of course, I pull everything off. And furthermore, this is just the way November is, and certainly the way it is right now. I am just going to do it.
But I just can’t help but hate the fact that I am not doing as well as I could be.

And I wonder, this city, this new life. It’s has only been a semester and I try to convince myself of that, things will pick up, things will be working later. Still….
Ah, never mind, never mind. I should go to bed now, and try not to be paralysed by the mind any longer.

Saviour visit Thy plantation
Grant us Lord a gracious rain
All will come desolation unless Thou return again
Lord revive us, Lord revive us all our help must come from Thee

Keep no longer at a distance
Shine upon us from on high
Lest oh Lord of Thy assistance every plant shall droop and die
Lord revive us, Oh revive all our help must come from Thee

On crip concentration

I am trying to concentrate. Trying my best to write a paper of the notions of dressed and dressed up. It is going very slow, I have all week but I wanted to have it done by now.
The reason it’s slow is not my own, I have read up on all the literature I have made an outline, and I have written half of it already. No, it’s not me; it’s what’s around me these days.

You see a concentrating as a crip demands a different kind of attitude then concentrating overall. Right now I need to concentrate despite being confined in this apartment until I get my new taxi card, which I so slow I haven’t even gotten to sending in the applications yet. You see, before I actually do that I need a medical permit, and to get that medical permit I need to go see a doctor, and to see a doctor I need to leave the house, and yes when leaving the house I might need a taxi-card.

I have arranged things with my PA’s so that I at least can get my self to and from University for my lectures. Otherwise I have no idea. And all the people I call and ask about this, the people I assume should know how things work and be able to give me straight answers about when and how and why and where, they seem to know just as much as me or even less.
It always puzzles me how they can say things that are so bizarre you wonder if your life is a sitcom or it the person on the other side is an alien with no manners whatsoever.
Now follow, an authentic conversation just had today…

I: But how do I make this work? I am stranded in my apartment otherwise!
Bureaucracy of Babylon: Well I don’t know, people don’t move here often…..

What in heavens name is that! Well know I don’t know what to do when a hurricane hits, you know we don’t get that often. Oh you say you’re dying, oh well that has never happened before.
You are saying you are unable to leave your apartment other than together with your PA’s and only at the times that you have scheduled them to come and pick you up…oh well, you are saying there is from now on no spontaneity in your life. You worry about being isolated. Well you see, I couldn’t help you even with the simplest questions about that, people don’t move here often so I wouldn’t know.

Well, let me tell you why people don’t move here often. It’s because this bureaucracy of Babylon is a set of bondage ropes around my shivering arms, it’s because you cripple me and make me invalid. You make sure my studies are not worthwhile, you make sure my concentration is lacking since I need to take breaks to cry and scream with worry.
You make me question if my time is well spent in this city when there is nothing but trouble here. You make me stare at this screen at the black words hammered down on the electronic whiteness through a haze of tears and anguish.

I am not built for this, I worry too much anyway. My heart is that of a rabbits, jumping quickly under collar bone. My constitution is one in need of safety and warmth. Uncertainty makes me ill.

Somewhere I do realise that this is a dam breaking. I haven’t cried about any of the hardships I have encountered since I moved here, I have only pondered through stoically, so I should have seen it coming now. When am partially safe in my own home and most of the things work out for me, then there is a space for me to crash like this.

I came to this town with visions, and I do still keep them. I am sorry Babylon but there is now way in which you will break me. I know you aspire to do that, even if you haven’t verbalized it for yourselves yet.
You think that crip girls like me are satisfied with little. Well, dearest Babylon – listen up when I say I am never satisfied. That is also part of my constitution. That of the escapist dreamer who saw herself dressed in Victorian velvet walking through the vast room of a mansion when she grew up. You say that is way too much. You say I should settle in with a day job and a few swims in the heated disabled people’s pool for leisure activities.
I say give me that mansion. Give me that an apartment in the city. Give me spaces to write and perform within. Give me my lovers’ heated kisses on my neck, give me the traces of my presceans across their bodies. Give me whisky; give me the force of darn good song. Give me the softness of tea and milk and the warmth of my army.
Give me all the heavy scented perfumes there ever was in the world.
GIVE ME MY LEATHER!

Bless my family, my army, my muses and my flexible PA’s when all is madness as it so now.
And I know there are loving people above me, who brush away the clouds gently as they look down, there is a face that looks like mine, there is curly hair and swelling hearts and there is a great uncle.
Who looks at me as he smiles, because he knows what fighting is, and perhaps he wished he could have gotten all that I have know. I wish I could have met him, we could have sang songs; he could have told me it was going to be hard, this crippled life.
But now, as she his fringe falls in his eyes, and I recognize the shape of my own lips on his face I know that he’s saying.

På dôm lisch jänta!
(Go get them little girl!)

On lovely PAs

I took a walk in the campus park today; I had to go to University to pick up sickly expensive literature on folklore and dress, which I am sure I will sell as soon as I have finished the exam on this part of the course.
Anyhow, I was accompanied to University by my new butchy PA, I call her the butchy PA as to distinguish her from all my other PAs, and she is indeed a butch.

I am actually quite swoon by her; she is gorgeous and has just that right bulky aura around her. Although she has only worked with me for a bit last weekend and then today we have really bonded. I guess I found it so nice to have a PA that would understand all the queer quirks of my constitution that I just rambled.

We spoke a lot about the notion of passing, I showed her pictures of my butchy period in life and called it my butch-fail, she laughed in shock. She said she was a bit bummed by the fact that everybody assumed that she was trans, that being this butch could only mean that she wanted to transition. She spoke about girls freaking out whenever she went in to the ladies room in a restaurant or at the movies, about being referred to as “the boys” when she was out and about with her brother. The awkwardness that manly-men felt around her, not knowing what to say or not…the many heavy taps on her back, the misogynist jokes and laughs.

I felt that I was such a femme with her. Even though I am swoon I do not ‘want’ her, still I could feel my movements growing to be slower and more assertive, I was conscious about my legs and how they looked in my short skirt, my fingers around the locks of my hair, my cleavage, my perfume.

She hung a heavy door back on its hinges for me and changed my light bulbs, I dreamt of a butch valet to open my doors and carry my purses and shopping bags. I dreamt of strong shoulders and glistening blue eyes.

Today I might have had that; although she was still my PA (and I doubt she will be anything but that…) she did all the things that above mentioned butch valet would have done. And as we went walking back to the tube through the autumn colours and crisp winds of the park I couldn’t help but smile. I pondered what other people saw as they saw us. If they saw two girls, if they knew the saw a femme and butch, did they think they saw a man and a woman?

She’s funny, she laughs when I make jokes and apologies ever so sweetly for even the slightest mistakes. Can I clone her?


Just to illustrate, a photo by Catherine Opie from her exhibition “Girlfriends” found in an article on AfterEllen.com

On laziness...

Instead of getting to that read-athon I had planned for now, I figured I would have some more of this delicious brown sugar-cinnamon coffee and write a blog post.

I realised I hadn’t blogged in quite a while. There has been a couple of rushing weeks, I needed to study for a written exam and settle a few PA related issues, as well as hang around with great people and have some great talks and so.

But nowadays I enjoy solitude in my own apartment on Cherry Road, in the middle of the upper-class area Östermalm. It’s rather silly, these apartment are not jolly at all, and if I had a choice I would live further out of the city and enjoy a bit more of good grocery stores and green areas. But I love how close my apartment is to University, and how I walk by these beautiful 19th century houses just when I go out to by milk. Buying said milk is not as cheap as I would have wished though. My plan for now is to look around and see where the closest and cheapest store is for further life in this up-town hood not to ruin me.



My PA’s are so far a very good bunch of brainy and sweet girls. There is one them who still haven’t worked with me, the gorgeous butchy one, I am not sure about just how I will react around her. My God she is hot!

From my “kitchen window” I look out over the lovely yellow and terracotta 19th century houses with massive poise and French balconies they sigh under blushing evening skies as I write. This morning I so smoking coming out of it’s chimneys, I assumed there was a stove being lit. My mind wanders to my writing and the semi-Victorian realm. I have neglected that a lot lately, but I am thinking I will get to it tonight.

After I have finally read through all that I need to read through. It is a good thing I am a good reader when apparently I am an incurably lazy schoolgirl. Next week is going to be a bit of rush too; I am having lots of lovely visitors. So I will really need to read through all these texts now in order to be able to spend time with them.

The rural matriarchy has paid a quick visit too, my mother and my aunt came here for Thursday day and evening, it was lovely to see them but I really wished there could have been more time.

Even if so, I still don’t feel isolated. Being just by myself is lovely for now. It gives my imagination the space it needs to twist and turn and wobble in my mind. To stretch itself and widen as think about what to do with myself.



Time moves really quickly here though, it feels like I have only just got here and it feels like I have been here for a hundred days. But I guess I live here now, for real.
My aunt asked me on Thursday, how long I would live in Stockholm? I said I didn’t know, but I couldn’t see myself having kids in this city.

So ‘til I get knocked up I’ll be here. Inshaallah!

Now, even though I really don’t want to. I must read.

On hijabies and me, crip-femme meets Islamic Fashion....

I am doing a lot of research today, so inspired by the first real good lecture at University on Islamic Fashion. Got hooked on the hijablog, a Norwegian ‘hijabie’ (veil wearing Muslim woman) who lives in London and blog on Islamic Fashion trends all night.
The slightly paradoxical practice of covering up something that is assumed to be alluring and tempting but replacing it with something that stands out even more in a crowd fascinates me a great deal. For the hijablog blogger it is obviously not only a religious statement but also a very clear fashion statement, that involves and industry that cater to Islamic Fashion and magazines, blogs and fashion shows that project what’s new and trendy.

For me this lecture was especially good since it is the first one on this course that clearly deals with identity not only as being part of a certain, religious, context but also as an identity important to the self and expressed through clothing in as many ways as there are hijabies.
The personal relationship between faith and practice is very real to me as I have grown up in a very religious (by religious referring to Christian spirituality, and not necessarily conservatism) context, and ascribe a lot of my identity and my actions to my faith.

The modern hijabies of today speak about the hijab as something very feminine and something that emphasises strength and personality in its bearer. One of the women that took part in the ‘Islamic Fashion’ show in Stockholm in 2008 said this about her vivid use of fabrics and patterns in her hijab.

“When you go out you know people look at you anyway, so why don’t really give them something to look at, in a way I think that is disempowering to many of the prejudices that comes with “Islam”…”

I really felt I could relate to that, very much as a crip-femme. I know people study me, I know people turn too look at me one extra time when I pass by. And I understand that, I would look too. First off I am tiny, my walker is purple, and I am loud. Secondly, I dress smartly. There is again that contrast that I spoke about in the stone femme post.
What did you see, a little girl or a woman? Can you look at the disabled woman’s cleavage; is that a politically correct action?
If you know they’ll look at you, make them look again…

Yesterday I went to interview two girls who I hope will be my new PA’s when I settled in in this city. I choose my meeting attire with the greatest care. Often I am a bit too much then, I wear very short skirts and my favourite flowery tops for example. I choose jewellery with greater care than I would otherwise, and if my complexion is in a stable place (sadly it hasn’t been recently, more on a make-up free femme appearance later in this blog) I wear make up. The only thing that did fail me yesterday was my nail polish, I still haven’t got to buying a remover and now I just re-polish and re-polish and that gives as somewhat tacky look.

So yesterday, I wore:
-A black, short sleeved top with a small flowery pattern, my absolute favourite although it is giving out a little nowadays…
-The shortest skirt I own, a black jeans skirt that reaches mid-tigh, the most.
- Black cotton stockings, perhaps it’s something rural, I don’t wear nylon all that often.
-Black plastic pearl necklace.

Usually I joke about the reason for me wearing that skirt being that I can do that Basic Instinct thing, but I have never pulled it, and with the cotton stockings I doubt there would be much excitement. I do think though, that that skirt is a very sensual if not sexual statement, to show that I am safe about being sensual in the way I dress, and even a bit more than that. That I have control over my sexuality is shown by my choice of that skirt I hope. And since sex and disability is very rarely connected I think it’s important not only to speak about sexuality as a crip but to be confident about it.

Also, I think my choice of attire is again playing with that contrast of my physical appearance and what I project with the way I dress. Being a short tiny woman often makes for me passing as a girl. So I have learnt to dress in a way girls wouldn’t dress, I wear tight fitting blouses, pencil skirts, and again tops that shows a lot of cleavages.
I distance myself in that way from a physically girlie appearance that I haven’t been able to choose myself.
However, there are also times when I choose to enhance that, and in a way the outfit described above is a kind of combined girlie/sensual outfit. In that it mixes ‘girlie things’ such as cotton stockings and flowery patterns with the colour black and the very short skirt.

Dressing in that way for a meeting gives me confidence, it gives me confidence to know that I accept my body and am willing to show it off in a sense. It also gives me confidence to know that I embrace the fact that my body is frail and tiny, but my mind is not.
In a way I think my way of dressing in these meetings is a kind of reverse to what the modern hijabies do, covering up what is assumed to be alluring but in way becoming much more alluring by doing that in a certain way.

In a way I do cover up, by wearing an all black outfit I do project a certain sense of propriety, as does the cotton stockings. The clear cut top is also a very ‘smart’ garment even though it does show a bit cleavage. I choose to cover mostly, but the short skirt draw attentions to my legs, the part of my body that is most obviously disabled.
What I thrive on in wearing these outfits is just that, to dis-empower my disability by clearly drawing attention to it in a way that I choose myself. But also to raise multiple questions in my observer’s mind apart from my disability. Why is she wearing all black? How does she carry herself in that skirt? (The truth is, I don’t ;) )

To express the disabled body as sexual and the disabled person as self assertive and confident in that way is my biggest asset in coming across as what I ultimately am, so much more than the connotations ascribed to the disabled female body, and mind.
These are just very cursory thoughts that came up just after the lecture. I am planning to return to the Islamic Fashion and my on Pentecostal background and its fashion in a later piece. I just need to look through the archives and pick out nice photos for you all before I write.

Below is a picture taken from the hijablog, the models wear fashionable turkish 'high'-hijabs. I love it, I think it's a bit "If Victorian England had been a Muslim culture..."

On this morning....

Good morning Capital, good morning blog. It’s a rather pretty sunshiny day. I am chirpy even though I slept four hours or so. I woke up by the door slamming and Landlady returning from the shops, in a white moment of fear I worried it was eleven o’clock or so. She said it was about twenty minutes past eight. And since then I have been up.

Even though we do disagree about my identity, even more so after discussions on femme and crip that took place yesterday, I really like living with her.
Even more I enjoy that she is (it seems) the only one unable to see my femme identity as a valid identity. I am glad so many glorious brainy femmes cover my back.

The time difference between Stockholm and London made things rather late last night, but so much fun had. And I am delighted to see that the much overdue episode of Fishy Femme Fiction is still coveted. And I’ll take images of close proximity muses with me all over today. I am sure I will be a smiling girl indeed.

In fact I am thinking my martial arts muses need to fight each other at some point. Oh, come on girls! It could be my birthday treat, please? Or for Christmas or New Year’s or whenever, any day is a partying day, right?

I am going back up north on Wednesday. I look forward to seeing my parents and my brother and his family. I long to see those mountains again, to breathe air free from smog. And travel through a country that is my heart, were the roads are my veins and arteries. Those roads are inside my skin now, dirt roads and crackling paving. The house. The strong tall trees that grow around these people for protection that protected me as I grew up.

I long for my father’s language, his storytelling. My mother’s fiery comments and loud laughter. My aunts’ care. Jesus. My grandmothers just steps behind me wherever I go.

I’ll rest when I am home, I might crash for real. I need to read a lot though. I figured I’d do most of it on the bus on Wednesday; four hours should get me far I think. I need to write a lot too. I wonder if I shall bring this laptop or if my parents stationary will do? Am I greedy if I want a tiny computer for my writing? Perhaps not. But I am not rich these days. For Christmas?

I have realised I need to write more cohesively in Swedish as well. As I have said earlier in this blog I have existed mostly in English these days. It’s nice, but of course a bit distancing at times. Even though it’s a language that’s close to heart it is not mine, as such.

I’ll need to work on that “Jesus-piece” for the stage too. That’ll be in Swedish so that will be good. I am thinking it’s well needed. The Pentecostal woman is all you never thought she would be. Indeed. Or more so I am perhaps.

I should get dressed now. I need to ‘femme up’ especially since I am having a meeting with a PA agency this afternoon. Two potential girls for me to interview, I really hope they want to work with me. My personal ass.’s as Kicko would say.

After the meeting I’ll have to sit around at Uni for ever to wait for my lecture. The taxi cards are a bit confining when they run low. I need to get hold of that man today too. Wish me luck.

Watch out for me while I am in you today Capital. I think I might like you now.

On love....

The following is a fictional piece I wrote in Swedish last year, and then translated to English. I remembered it a couple of days ago, and here it is for you all to read.....

Snowfall

- Your gaze burns me, he said.
As he picked the wool sweater from the floor, the gray one, and shun his body from my eyes. He wore nothing but that sweater; it scratched my cheeks as he kissed me. It smelled of him. From him. His smell was all around us, all in me it was.

It was a long time now, since we had last seen each other. But his eyes fish-hooked me, pulled me in close, to the vulnerable magnetic field that he was. His hands were strong, warm from the summers they had known.
Snow fell that night, snow rested tenderly between our loins. Snow fell in my heated memory. Snow fell on his name.

Later that same night, that same bed, with her.
- Why did you see him?, she asks.
-I had to, he loved me so dearly, I replied. And I loved him too, no I was in him and he was in me.
Her fingers wander the hills and valleys of the duvet.
- He was the only one I could ever see myself with, I said. Beside him, growing tall. Tagged in pictures by others. In this picture: Him and her. The man and the woman.

Snow falls in bed with her, snow falls on her breasts and at the back of her knees it makes puddles. His smell is in the snow. His smell is in my hair. At the back of her knees.

That night I wake up. I watch my face in the midnight-dark mirror, ghostly pale and longing. She sleeps sound. Breast rises and falls. Her hair is tangled from my fingers. Glued with sweat.

I have missed him that is why I wanted to see him. He had that wool sweater even back then, but perhaps it is not the same. Perhaps it’s a new one, one especially bought for me?
His body is covered with hair; he doesn’t need to wear that sweater. He was ashamed when we undressed that first night, of the hair making a Persian rug on his back and chest, lingering its way down.

He was fragile. I mounted him. He was never strong, I was always weak. He sought shelter in me. I held him in arms blue from cold. Felt his strong back against my breasts. He closed his eyes and into me he flew.

I picked him up and I held him, as I would a damaged bird from the shores. He was so brilliant, luminous. In pale light he shined but my gaze burnt him he said. As I would hold him he would tell stories, all of which I kept, hid in my heart. Locked away safely, sealed by my arms strong hold of his body. His breathing intertwined with mine.

The stories of his childhood dreams. The big wardrobe made from oak, the princess next to him pulling out the drawer presenting him with shoes of gold. He was a storyteller; it was what poisoned his blood. Listening was mine, and keeping. I ran my finger down his neck as morning grew outside, struggling its way through the thick mist of crushed hopes on pavements, and the sun lit the spots on my sheets.

He rolled out of my arms when he fell asleep, safely he spread his arms to cover me, and snored. He snored all night. The sounds demolished my thoughts, I couldn’t share this. I couldn’t write this, ever.

She wakes up, her eyes are restless.
- You still want him! She accuses.
- No, I say. I want me. I want who I was then.

I clime into bed with her, her eyes are burning and her fingers hard on my ribs. Snow insists on falling, snow insists on covering my heated memory of his name. Snow melts in my mind, water rises from the well, she shelters me, as one would a bird from the shore. She holds me in her arms. The melted snow rivers from my eyes, trickling down my cheeks onto her collarbones. And beyond them to the sea they float.

I tell stories, I tell that story, of him. How my gaze burnt the fabric of the sweater, how it burnt his hands strong from summer lit fields of barley. How his snoring ate my thoughts and spit them out on the floor. How I spit him out. Carelessly.

On northern livings and stories, and muses...

Yesterday morning, or day since I don’t get up in the mornings these days, my actor-wifey-muse My had written a great comment about this blog on Facebook.
I was so touched seeing that she reads my words and that they have an impact on her. It made me miss her madly and I spent most that day reminiscing about the time we spent up-north.
Rambling about the poor quality of our education at the moment, opening up like we had never done before, outlining the future and realizing that there were no ‘plan b’s’.

So, fröken Ström, this is for you:





I miss you.

I miss the miserable sate of our kitchen; do you remember that pan that everything stuck in? Do you remember how the heating system used to howl, that sofa with that iron piece in middle of it, how my back used to hit that as I threw myself down a bit too bravely?
I miss your cooking wifey, I miss that wasabi-lime spice, do they have that in Finland?

I miss the times when you stopped smoking. How the sparks would fly around you, how your green eyes would burn deeply. And I used to giggle. I am sorry.
On that black floor we shaped our dreams. And we spoke about them in that sofa, in that grimed kitchen. We frowned upon the exercises we did, we reached deep within our aching, acting souls…

We marvelled all our odd neighbours, I wonder what happened to them, like Anders? Is he still there, does he still look like he was brought back straight from the 80’s? Has he found love? Does he still eat that crappy food?
And why did he really move back from Australia?

I used to wait up for you when you were at taekwondo practice. You’d come back all bulky, in that white suit and eat with a passion. I had never met anyone which such a sense of routine. I could never beat you to that “let’s break it up, I need my sleep…” thing. You’d eat noodles and I’d ramble, ramble, ramble.

I shaped myself through those ramblings with you, if it wasn’t for those talks that we had I wouldn’t know half that I know about myself now. If it wasn’t for you I wouldn’t have written all that I wrote. It was because I could share it with you that it broke out, that river, that flood of words.

You were my mirror; you were the actress on which I could base my ideas about directing. On that black floor, in that kitchen and that canteen, I saw a vision in your acting. I saw a fire under your skin, and you made my knees weak and my skin shiver with joy as I saw you.

Do you remember the Tudors, the cinnamon rolls? How we fattened up when you could practice and we just ate and rambled.
Do you remember all that red wine that would make our hearts widen? Do you remember my speakers and your mp3-player? The chilly winds under our coats as we smoked on the balcony? The drunken kisses.
My notes on your door? That I made coffee while you crept out through the corridor, your brain shattered by that hang-over?

The snow. The silence. The Nordic light. How I used to read you scary stories from the Bible.
My name is legion, ‘because we are many….

Spring. Dreams of Finland of, dreams of leaving. Your cargo pants. My dresses.
“Oh wear that one your daddy brought, the chequered one”
(Haha, aww! Sweet you!)
You brought me back from that ‘acting is dirty’ crash. You told me that it was beauty, pure beauty.

I missed you when you returned to Malmö to do those tests, I was sure you were back in bad habits when you got back, all skinny and sun-kissed and happy. But love had touched ground.

I still keep that poem you wrote me, as you studied me on the floor, do you remember that night? One of the best, we played cards. You wrote about me, you wrote about the veil that covered me. That my beauty was only for certain people to see.

Do you remember you used to unzip my dress when I couldn’t do it myself?
The manly men would give us puzzled looks as you’d follow me to that. Do you remember you’d say that hugging me made you feel huge and tiny at the same time? Do you remember you and me and Isak all those nights?
You two were my test, and you assured me I had done well. That I actually could make words into flesh.

You remember we still have stuff do to, don’t you? We still have projects to work out; I still want to direct you again, and again, and again. You still need to cook for me again. I still need to share cigarettes and sips of deep red wine with you. I still need to look into your eyes as they glisten from sedation. I still need to see you on stage ‘til I die.

I know you’re busy, and calling is expensive. I hope you take care. I have mailed that letter now but it will take a few days. I hope you feel you’re doing all the best you can in a good place. I hope your fire burns as deep as ever.
And if you ever feel the need to quit smoking, please tell me and I’ll tell all your new classmates what they can await. ;)

But more importantly, fröken Ström, remember I love with all my heart. Remember those days of work and evenings of talking; remember the yogi-tea and the chocolate. Remember what we made then, the land that we measured and mapped, the rooms we built, the stories we shared, and the stories we wrote and acted.

The stories we lived.

On stone-ness...

This post is inspired by Sassafras Lowrey’s post on stone-ness on The Femmes Guide.
The post, in case you’re too lazy to read it, in which case shame on you, is about stone-ness and the identifications of stone butches and femmes. Lowrey discusses the idea that the sexuality of a stone-femme is determined and decided by the link to a stone-butch, and ultimately the sexuality of said butch. That femme's who identify as stone-femmes and/or confess to being attracted mostly by stone-butches in doing so, are portrayed in relation to their butch partners rather than on their own. And reaches the conclusion, that (of course) that is not all there is to it...

In the end of the post there is a question.

How about all of you, do you identify as a stone femme? If yes, how do you define it?

So I thought I’d be a good blogger and answer that, plus it will give some extra time away from my University reading which I really cherish at this point. Lazy schoolgirl as I am.

So, my femme identity. It’s very much built upon force, and the force ascribed to the feminine appearance. This comes from growing up in an environment that very much credited power to femininity and strength to womanhood. In my rural matriarchy the woman was never inferior but seen on her own and valued separately from whomever she chose to part with.
My mother brought me up with a strong sense of dress, she knew that she was no less a woman wearing pants, and I was no less an emancipated young woman wearing skirts. She taught me to bring consciousness into the way I dressed.
To think about how I looked and how others saw me, and she delighted in me playing with that. Having the ruffled skirts collide with a strong sense of power and a sharp mind.

I would say that my femme identity is about contrast in many ways. It’s about a very girlie appearance paired with a demanding power; it’s about enhancing my crippled body and my crooked legs and tiny hands with alluring cleavages and tight fitted skirts. It’s about enhancing what is hot about my own body and what is hot about my mind. It’s about combining my giggling and my fondness for ruffles and flowery tops with those rugged pairs of jeans and that chequered short-sleeved blouse, the three top buttons unbuttoned.

It’s about embracing sexuality, sensuality and strength. But it's also about allowing me to find piece within the fact that my body is frail and weak, that it is petite and in need of shelter from others at times. My femme identity has helped me combined all these things into something that feels good for me, that there is no juxtaposition as such in being strong, girlie, and alluring.

I would call myself a stone femme.
But that doesn’t have anything to do with stone butches, or any butches at all.
I am a stone femme since femme is my major identity, it’s that umbrella under which all my other identities, my rural-hard-working-blue-collar-Pentecostal sense of self, my crip ideas of self, my power and ideas of dominances, my longings to be weak, to crash and be lifted sheltered and comforted, can exist without any problems.

On the latter part of that sentence, I think that that longing to be sheltered and picked up draws me to people with a butch aurora around them. That I know that they are stable and strong enough pick me up not only physically but also mentally.

However, as I have spoken so much about contrast. That sense of power and physical strength within another person also gives me the greatest urge to break that, to know that I am in control of that power and the strength, that it is used to shelter and protect me as I chose.
Furthermore, I thrive on sheltering my partners especially if they are butch-ey, I thrive on that person ‘giving in’ and showing me their own weakness. I long to be that strong sense of ‘home’ and ‘safety’ for another person, I love running my fingers gently over my lovers strong back and tell them that all will be fine.
As much as I long to feeling that persons arms around my own shivering body.

To argue that

‘stone femme’/... / [is a] /..../ sexuality tied exclusively to that of /.../ butch partners /..../,

is not fair.

Not to the femmes who describe their stone femme identity as an attraction to stone butches since it insinuates that the femme is only valid through the butch, and hence marginalizes the femmes and femme as an identity of its own.

Also, it’s not fair to stone femmes as myself. To which the concept stone is not valid in relation to any other person femme, or butch, or whatever, but solely as that centre of me. That place deep inside were I am at rest, where I don’t question myself but accept all that I am. Where all that I am co-exist in every breath that draw.
My ‘stone’ is a cave, a room, within my soul.

A room with a magnificent closet, where linen blouse and massive silver jewellery hangs alongside tulle skirts and tailored power suites, leather gloves and knitted mittens, tops with their sleeves cut off, all my push-up bra’s and my knee-high socks.
Where my heavy perfume and make-up sits next to the Bible and the icons my aunt brought me from Krakow, where there is a place for me to kneel and give praise, where there is a place for me to shout and embrace the fierceness and overthrowing power that my religious conviction is.

It’s a room where I can laugh ‘til I am a wet puddle on the floor. It is a room where I can rest, a room where I can lay down why a sweet soul brings me tea and salty snacks. It’s a place were I kept the secrets people tell me, and the ones I have told them.
It’s a room with a bed where the sheets are never neat, only wet and tangled. It’s a bed where backs are arched and shivering before the hit the mattress. It’s a room where my glitzy nails can make maps on backs, where they pluck gently at the soft hair of slumbering guests.

It’s a room where sun shines in from the window making golden squares on the floor. A room that smells of lavender and sits amongst mountains and fair green shadows. A room that throbs when my heart beats. A shelter, a refuge and the origin of all my dreams.

On making it here and everywhere...

It’s eight minuets past midnight. I should go to bed since I have been getting very little and odd sleep lately. Landlady is dozing of in her bed beside me, there’s some odd film on the 1920’s depression on TV.

I have been up reading through old diary posts. I have done that a lot lately, reading through writing in Swedish since I feel like I need to regain some kind of power over that language again. Hence, writing this blog in English right now might not be constructive. But I think it’s cause I have moved, extended my roots to an environment I don’t know if I’ll find my place in after all, that brings me to expressing myself mostly in a foreign (…but perhaps not as foreign…) language.

My progress in this town has been great. I now have a fully furnished apartment which I move in to on the 21st. Next week I have a meeting with two girls that will hopefully be my new PA’s. I feel like I am on top of Uni for the most part. As always I struggle with my body but it seems alright even though I am in rough state right now.

I get along surprisingly well with Ulrika, my landlady. I have come to see so many great qualities in her during the time we have spent together. And I am getting quite sad about the fact that I am moving out and won’t be seeing her as much.
Still, I know it will be great to have my own place. To try and make a routine that will work for me and to spread my winds in this city.

To return to what my initial point was with all this though. As I have read through my old diary posts I have come to see how determined I have been about all this. Of course there were a couple of projects that I had to get rid of this year, for example that monologue didn’t happen. But it is alive and well and I will play it.

But over all I managed to write a lot, I worked my ass of as an artistic leader for a group that was so messy I tore my hair for the most part and didn’t think they liked me. Then I met a few of them in a clothing store up north, just before moving here, and they were ecstatic about my work. Telling me I had lit fires, opened their eyes, made them feel safe!

I long to do that again. I long to work and it feels good that I have been able to keep certain ideas and projects running in peoples minds even though we have been far away from each other. At a distance I have tented to what I know call my ‘home’ in this city. A social sphere of people I know cherish me, and I cherish them. Due to everything being a bit hectic since I got here, I haven’t had time to see them all. But I am really longing to see all of them soon. And bringing them together in my new home.

I guess I mostly started writing this post because I needed to spell it out for myself. To wrap my head around the fact that I am actually here, and I have made it possible to stay here. It is not a spur of luck, although a few things might have to do with luck or more so things coming together at just the right time to make my life work. I did, and I am keeping on doing it.

Anyhow, I should get that sleep now.
And for the record.
I did it- STEEEEINWWWAAAAAY!

On this evening...

The wind is blowing up in the Capital, this evening the line between worry and reality is a slivery string of smoke. Crossed.

I don't want to to dwell in case I stir things up.
But I need to write this.
There is not much physical force in me but right now I wish there were, I wish I was taller, stronger, and able to split myself.

Like in my favourite story about the Hindu god Krishna who clones himself and loves some many women in one night that the world trembles and opens up.
I wish I could be anywhere were all of you are, and whenever winds blew up and Death draws near, for they are Death's little soldiers, and fear is what drives them, then I wish I would stand behind them.
Gently place my hands on their shoulders and whisper into their ears what their deepest longing was, all of their most intimate secrets...I would tell them I knew, just what they were after, and they would crumble and cry and my nails would bury themselves deep into the smooth adolescent skin on their necks. And I would pick them up and place them elsewhere. Where they could do no harm.

I don't have any force but I have words. They beat in my veins and the flow threw my fingertips. They are not as powerful as I would hope tonight. They are no nails or grips around cocky necks, but they are all I have for you and here they are. They are made up with all my love for you, all my deepest gratitude for all that you have taught me since I have known you, and they are blazing with anger and fury, the kind of fury that makes me want to grow tall and wide.

(This is a text called "Skinnygirl the return"- it's all I every want to be for any of you when thing like this happens, this evening it is slightly altered...)


We were one and one. Separated.
I waited to hear cautious whispers before the attack.
When together we would become a body, a longing, a strength.
When we would roam the streets and eat everything that had eaten us. Crushing those hands, that touched us without permission underneath our heels. Together we would hold hands. And the world would tremble, cause the world would know that there were fires underneath our skin. That it crackled and popped with faith and strenght. And the world would know that that fire would touch ground soon, spread through dry grass. The earth would be forced to reveal the words that were spilled. Tremble in fear.
For we will return, and we will regin. Look at us twice, cause it might be the las time you see us.

On doubt...

I wrote this while waiting to attend a lecture at University. I guess I was not so chirpy yesterday.

Recently I have been feeling so shattered, and recently it has been so slow. So far from what I imagined it to be.
Recently my skin has been giving up on me.
Recently I have been existing solely in English.
I have fenced myself in by everything that is foreing.
There is a vacuum, I don't know when and how and why.
There is very little respite for me here. I am often just tired, sluggish, slow and feverish. I should get some engery, I should get some chocolate, I should get some love.

I worry about ending up outisde of the system. I worry about becoming lonely- isolated. A shattered piece of glass shivering in bed while the forever ongoing sounds from the road right outside my window just keeps pounding and pounding in my templates.

I worry I was not built for this kind of life after all. That there is a rural failure, built in from birth.
It has soon been a month, I have neglected the fact that I am behind on so many things.
It is fall, and I am detergerating, dying.

Moody, why am I so moody? What is this drive that forces me to exist outside my own cultural frame? There is a certain alienation that comes with posessing these 'abilities'.
I worry that I am fake, nothing but a fraud. Nothing but a dreamer.
Am I only good with words? Only good with the internal and what goes on inside my own head.

I must learn to become a maker, a doer.
I am wondering wether I am only an academic person because I have been forced to. If I read and wrote out of necessity rather than interest.
Where is my body in all this? Where is the validity of physical experinces this? Where are the people, the sweat, the blood, the tears, the laughter - the wailing.
Do I fit here?

On internal Sir-ness....

I have always been a really pretty girl. Like a real pretty one. It was what I was dressed up to be growing up, and what I liked being when I was a child. I was smartly dressed in chequered dresses white blouses and patent leather shoes by my mother. I chose tops with roses and tightly fitting jeans when I became older.

Then suddenly, as my body was filled with growth hormones, a jolly mixture of testosterone and steroids and my puberty was put on hold, there was a shift in me. I will not credit it only to the hormones because I believe that is a way too easy escape route, it also had to do with me leaving a context that had very subtly kept me in line.
I was sixteen, I left my village I spread my wings and I shaved my head. I looked at myself in my first ever own bathroom mirror and I said: Look I am a BOY!
I loved my shaved head. I loved what it did to my face and for sometime I did like what the hormones did to my body, it made me bulky, something I had never been and but somehow always felt like.

You see, there had always been a longing for power within me, and I had become skilled at practicing some parts of it. A subtle power of the mind, a power driven by words and tones of voice was already mine. However, this was something else. This was a kind of masculinity that I had never felt. And for a short period of time I thrived on that.

Then, as I have said in an earlier post I became unhappy with the way the hormones made me look, the bulkiness made my arms stiff and I didn’t recognise myself in the mirror. Coming off the hormones I returned to being that rose-top-fitted-jeans kind of girl again. I was home; I had just been out of my own skin a bit.

But as I look back on that period of my life and what I took with me when I came out of that I can really see what I gained. This period, even though I couldn’t see it myself then and I am sure no-one else did, allowed for me to explore a masculinity that had been ascribed to a certain kind of force and power in my culture, and it bred within me secret room where that is stored.

For it’s true, when ever you see me as girlie as I can ever be there is till that notion of a very masculine force within me.
I think it comes out the most obvious if I look at my own taste of music, below is a picture of American Folk singer Tim Eriksen, I just love that man. There is softness in his voice and the way he carries himself that just melts me. I wish I had his voice, in a sense I wish I could be him.



I speak about that a lot, the longing for a somewhat deeper voice. To not be so girlie and frail. To be able to be physically overpowering. I think it comes from a need to be taken seriously, to not be seen as tiny and sweet all the time, an urge to have others see that confidence in me all the time.

I know people say that it’s nothing that I need, that it doesn’t matter how tall you are or what you wear if you handle the world like I handle the world. I am grateful for such compliments, but even if so it’s slightly oversimplifying I think. Of course it is so that I don’t take up as much space in a room naturally as a person who’s taller than me. I need to fight to take that space, and I do that gladly and somewhat on autopilot nowadays. But that is only because I have had to do that, not necessarily that I have wanted to do that all the time.

The Sir in me is sparked by Tim Eriksen’s singing. By lyrics like this:

One bright summers morning as the fields were a-dawning
Bright Phoebus had rose and shun over the lea
I spied a fair maid as homeward was riding….
I stood in amaze and said I, bonny lassie if you’ll only consent and go to Jamestown with me
No other in this world will be mistress of my castle, there none will go clothed more finer than thee
-Lass of Glenshee, adapted by Tim Eriksen.

It is sparked by the whisky-cokes I drink when I am letting my hair down, it’s sparked by seeing butches giving me ‘the look’ when they see my glistening nails and ruffled skirts. (I instantly think “Oh I’ll show you girlie :P”)
It is lit by the limelight, and by grabbing my tits on stage as I speak of my ideas of femme in said limelight.

Even though hormones did fuck me up pretty badly during the time I took them, I think the changes of my physical appearance were important for me to realise this. To allow a certain kind masculinity to flourish, and then tucking it in were only I could see it, was crucial for the way I see myself nowadays.
For the choices I have made and how I speak of my constitution. I wouldn’t go as far as to say there was any kind of transition within in that, even though there were noticeable changes of the way my body looked and what I felt and did during that time.

What has scared me a bit when I look back on that time though is that I wasn’t given a choice as such with this. Of course I could have chosen not to take the hormones but that would have made me sickly short. It scares me that even though I assume what I got was a pretty low dose of testosterone I could still very clearly see and feel its effects. It scares me that no-one told me that this might happen, that my body as I had known it would not be the same during the time I took the hormones.

As it is today I love my female body, I cherish its frailness and the fact that I am petite. Recently, I have come to learn that my boobs are not as small as I always thought though, and I struggle a bit with wrapping my head around how to handle their alluring power ;)
But most of all I cherish my female appearance and my femme-ininity since I am confident that there is always more to me than what meets the eye.

That even though I am still that girl I was when my mother dressed me up in chequered dresses and socks with lace, I know that there has always been, and will continue to be a very feisty ‘man’ within that. One I could only see shadows of growing up, but who I carry with me close to heart these days.

Here am I, the girlie girl. Inside me is Sir.

On life just now...

Clear your mind, just be real shallow.

Alright, here is the thing, I am struggling a bit with my other writing and I haven’t written a real update about my life in the city in a while. So, that’s what I am going to do now, for whomever it might interest.

I still share generous landlady’s Ulrika’s one room apartment. It has been very good indeed. I thought it would much worse, and that we would nothing but quarrel. We haven’t had any serious quarrels, but I don’t know how much of that I should credit to not speaking about certain matters.
Even though it has been lovely to stay I think that the close proximity is taking its toll in a somewhat subconscious manner. I sense that I tense up, since I feel constantly monitored and I am quite sure she does too. It’s not that we don’t like each other, just that one needs privacy.

However it’s only a matter of another week I would hope, since I now have my own apartment, a tiny tiny place on something called Cherry Road. It will not be large, but I hope that well furnished and lived in it will at least be mine.
I am looking forward to some kind of refuge there a place were I can rest and reach out from. Where I can schedule my own time and making things work for me.
I long to invite people to my place and drink tea and ramble, I long for winter there, smells of saffron and cinnamon. Christmas cards, decorations, laughter.

I am going there to look at it tomorrow. And moving all my stuff on Wednesday, I hope I have calculated everything right so my things will fit.
Babylon proved to be kind in the end so I am hoping to meet a new PA soon too. In a broad sense all is fine. I am happy about what I have managed to make in the short time I have been here. It has just been a little more than three weeks, so a lot has happened even though I haven’t thought about that so much.

There has been a refuge for me. An apartment with more than one room, where one can eat meat, and were a deep blue sofa, like my Sistah has, will swallow you. The newlyweds Mrs and mrs Krieg have taken me in, and I am so, so happy and grateful for that.

I look forward to make art in this city. I am writing, but I am always doing that, I long to work on my words and that shared reality with above mentioned mrs Krieg. I am thinking it will be fabulous more than fabulous; it will be strong, vibrant, and glorious. Once we get started…

So that’s it. I have cleared my mind. I have other posts planned for this blog soon but I need more time, and some kind of solitude again.

Love people, bless your hearts.

On friendships, ending

I did not think that I would devote time to this on my blog but recently it has been, yeah, pissing me off.

I have this friend, or more so I used to have this friend. Our parents knew each others from the Pentacostal Congreations they where part of but my parents had left. My friends aunt and my mother are best friends, right now hiking in the hills, I hope they're having a good time.
Anyhow, we became friends in middle school. I am not sure how it happened, I guess I broke away from click from kindergarden and then I was seated with this person and one of the funniest boys I have ever know, Robin, they made the otherwise horrendous time in middle school okay.

Then we where BFF's until I moved away for the IBO programme and kept up our realtionship through out that time and up to this year.

You see, now this person is totally ignoring me. She won't replie to my congratulations on her engament on Facebook or answer any of my messages for her, even though I see she replies to others. I have send her multiple texts and emails and have gotten nothing back.

I think this is really odd since I see such a clear cut between being friends and then not being that all. Or more so acting like we have never been. There hasn't been a conflict or an issue between us, she hasn't been angry with me, neither I with her.

Having traced this down with my mother I have comed to the conclusion that this person clearly has a promblem with what I have 'becomed', she has not said, it that's, true but I feel it.
I have felt it over the last couple of years, I know I have kept silent and I haven't spoken up about the real me. I couldn't spread my wings inside that heterosexual monogamus cage. And I am sure they knew. In fact they were the first people the assume that I were, or would be a lesbian.
Please people, I am not a lesbian unless I say I am, okay!!

Recently I have been ticked off by people deciding for me, telling me what I am or not listening to me when I say I dislike certain kinds of identies that they ascribe to me. It's been trickling down on me, nibbling on my stamina and making me warry. Please when I tell you about something I don't like, don't say it's "nothing" only nothing is nothing.

To return to the initial subject. I understand that this person and the kind of click that she, and I used to, belongs to are having a hard time to wrap their minds around me these days. It's not that I don't get that. And I would rather not have them in my life if they are not accepting of they way I will lead it.
However I would like for her to speak up about that, to say that she cannot realte to what I am doing right now, and then we can have a discussion about that. I want her to say "Hi!" at least or "thank you for your kind words concerning mine engament..."

For now I mourn something that we once had. But it is also somewhat of a double nature, I mourn having her in my life, yet I know I was not all I could have been then.
I am sad it had to come to this. But I do know that if she won't accept me they way I am , that is no friendship.

For my very real and caring friends.
Here is a verse from the ever so lovely Tim Eriksen's song "Friendship" from his newest album "Every sound below" (I am obessed with that man)


Friendship to every willing mind opens a heavinly treasure
There may the sons of sorrow of find sources of real pleasure

Thank you!

On living in the Capital

Here is an open letter to my new home town

Hello Capital,

I am here now. But I am sure you have seen me around and out and about in you. I mostly get around in yellow cabs, but it doesn’t make me feel like a New Yorker. You may not have known that but I wanted to live in New York when I was younger. I bought a map over New Yorker City and spread it across the floor of my room among the Blue Mountains. I traced the boarders of Manhattan with the tip of my eleven year old finger; it’s purpled nailed polished chipped away. I had used the same nail polish to paint hearts on the red leather of my wallet it never held much money in its belly, but it held all my dreams of a new and vibrating life.

I longed to grow up, I long to write whenever I wanted to – and have the chance for others to read it. I longed to walk down a street with red and yellow autumn leaves soaring above my head. To open the door to any kind of room where art happened, to step into the dark of theatre, the serenity of a writers den or the messiness of an artists studio. Then it was just as much the images that those ideas conjured within in me as the actually activity that took place in these spaces, that intrigued me.

And you see Capital, it’s happening now. I am here and I soar in cabs. I get asked to speak my mind at dress rehearsals of friend’s productions and I must say you, dear Capital, spark my imagination. I see people I want to tell about, I hear conversations I want to finish in text. There are places that need to be filled here. There are venues that I can use; there are people who want me to use them.

I feel awaited now that I am here in you Capital. People are happy to have me here. It feels good when actually getting to live here is still hard. Because you see Capital I am still struggling not only to survive here. But to live.

The people I have been in touch with have a hard time wrapping their minds around how I want to lead my life in you. They say:
“What… are you saying you don’t know how your days will be scheduled from day to day?”
“Ah meetings you say, talks about creative processes, lectures, rehearsals….and you want that to be flexible…oh yes…”

I don’t know in what kind of life these people live, if them and I even share the same city. Dear Capital, you for one should know, do we?

I want to ask them if they plan every day to the minute, if they would feel okay with not deciding about their own time.

It’s a struggle, this really is.

But I keep confidence that once all this struggle is over and I have finally settled down here. All will be as I wished. I long to make art in this city. I long to work with people who love me and respect me and se me for who I am. And I know I will…I know that the projects that I have planned and the subjects I want to dive down into with my studying. Thing are coming together really good in that sense.

And I think that is necessary to keep my head up during this time. There is an army for me and it’s a damn good army.

So Capital, for the two days that I have made you my home here a lot of things have happened. Good things and not so good things. I soon have my own home and I hope that once I really fight Babylon it will be over with swiftly.

I know this is a fight but I always fight – all art is fighting all fighting is life.
Other people have travelled this before, they have made it and I will make it. There are memories from these people sprinkled along the path, there is a history for me, voices produced by throats in bodies with tensed muscles that whisper “It can be done…and it can be done well.”

So for my next meeting with the Babylon I will bring with me the shadows of other spasmodic fighters, they will see them guarding my back if they look close.

Bye for now then new home, look out for me while I am in you.
Love, Kittin.

On travelling....

When I last travelled to the Capital I forgot to bring my mp3 player. In a vain attempt to amuse myself on the ride back home I bought a notebook and a pen at PocketShop. On 'demand' I now publish the one thing written in English on that ride...

Vanity

“It turns out I can’t get under your skin”, he said as he rose from on his elbows from the bed and stroked his beard.
“How come?”, she said.
“There are guards at the gates of your innermost feelings he said. There’s fear and vanity and guilt. And they are strong and armoured and I am only armed with love, and love has nothing on them.”
“That’s true she said as she scratched the polish of her nails. I am afraid and I am guilty and vain- and love has nothing on that. Nothing on the cold sweat and my own scorning gaze in the mirror in the morning.”

He put his pants back on and the vanity of her eyes followed the strip of hair from his belly and down below….

“You should get rid of that”, she said as she licked her lips.
“No”, he replied.
“You should get rid of that smirk it makes you ugly. And I know you don’t want to be that. Not at all. In fact that’s the thing”, he said. “You are so desperate to be beautiful. So afraid of being seen as something less than that. That is what makes you vain, and what makes you vain also makes you guilty. You feel guilty ‘cause vain people are horrible people and more important vain people are ugly people.”

The last bit came like a roar through his lips and as they parted she could see a streak of yellow brownish goo on his teeth.

“You should really brush that away she said.”
“No! this is what I am talking about- you’re so vain you think this song is about you. And you really do! It makes you ugly, ugly, ugly!”

She had her back to him now. Slowly stroking away locks of golden hair as she hissed.
“I don’t care if I am vain. If it makes me afraid, guilty or ugly. At least it gives me the opportunity to be all these kinds of things. I decide for myself if I want to be vain and I am as vain as I decide. But you…”

She lifted his baffled face up with her slovenly painted nail.

“You haven’t even made a choice to be as dirty, filthy and raunchy as you are. You are just plain lazy – and you love me. And it makes me pity you. But not at all in a bad way as one would assume. When I think about it, it is not pity, but love and slight admiration. I assume it’s a freedom to be so ignorant she said. To really, really don’t care it must be so….”

She leaned in close. He didn’t smell of dirt but of cinnamon vanilla and heat as she kissed him. When his tongue touched her teeth she made vain attempts to rub his saliva off.

On the joys of writing and "other" languages

Having picked up on blogging again just now, and through it being given the joy to move on with all my other writing which I haven’t taken time to write recently. I have come to realise again just how much I love writing. And I have realised just how important it is to have a space like this blog, where even though others can read what I write I am free to ramble as much as I want.

I am writing a new Fiction for the FFF project, or more so a new chapter to the initial story that made that project up. It has been resting for quite a while since there have been too much stress around to really get the chance to write. But as I write on it now, I see it might have been just what I needed when things were the most stressful, to escape in its purest form into a world that I know and that I create as I go along in it.
However, I know my process of writing is not like that. I need a pretty long time span to build up a world within in me, a world with places, rules and peoples that I can explore once I sit down to write (writing happens mostly in stream of consciousness, which is in itself a form of escapism) hence, I can’t write before I know at least something about what I need to find out while doing so.

While attending my creative writing class in Bollnäs (reminds me that I still haven’t told my teacher I can’t follow trough with that as well as University this autumn…must do that) we were often given tasks to write quickly, in ten, fifteen minuets or so. I always managed to do really well then and it’s puzzled me. It wasn’t that I went around with a mapping for several stories in my head just waiting for that ten minuet chance to spit them out. Usually, when being alone in front of my computer that approach wouldn’t have worked.

Then I realised it was about being forced to write. That when not given any escape route but rather a very blunt entrance into the world of words my mind was made blank. And through that blankness other thoughts, those I hadn’t planned and hadn’t thought about for nights on end when laying awake in bed, had the chance to emerge.

Having done it often enough while in class I now do it every day. Take ten to fifteen minuets to clear my mind and just write. I have found that there is a theme to all of these writings even if they shift with my mood for the day. Sometime I might look through them and make something of it.
One of them have already become a stage piece entitled “Är det där min kvinnlighet…ska jag betala för den?” (”Is that my womanhood….will you charge me for it?”) and was preformed early this spring. (See the blog post entitled “On absolute identities”)

I feel like I am wandering off. I wanted to say that having found that blank space in my mind is really such an advantage. Now I find I plan as much as before, but then enter that ‘blank’ space when I actually write. So that I have all the ideas within but make no deliberate choice about what comes when and where, the process of that is a true delight and such escapism it makes my heart flutter. Also, I find it gives me a much stronger lust for writing since I too want to know what will ‘happen next’, so to speak.

In this space, as well as in the fiction project, I write in English. I am a self-proclaimed linguistic anglophile, that is to say English as a language is my biggest ‘turn on’. The English culture not as much, mostly it puzzles me or makes me laugh nowadays. But written and spoken English has a very special place in my heart.I don’t fully know why it is so. I guess it has a lot to do with being born on the 4th of July and being told America was awesome when growing up because of it. But I think it lies even deeper within, that it is one of those things that perhaps I shouldn’t know the reason for. That it’s a quirk in some sense, something that constitutes me but on the other hand shouldn’t be looked into in search of “why’s” and “how’s” since there will likely be no reasonable answers. Other than it’s that escapism again. That English served well in a time when I daydreamed a lot (like I am not still…) that it created a parallel to the well known, but yet a space which I could learn to master.

I think of the two languages as two rooms that mirror each other. I find the two ways of expression very similar and in some ways I find that they mirror various sides of me, my thoughts and feelings. Usually I know if a feeling serves best to be described in one language or the other. I know some thoughts and feelings are only good in Swedish and the other way around.


Anyhow, it doesn’t matter how much pretentious rambling I build up around my fascination of the English language
(I wonder where the need to do that comes from. I suspect it come from an inherited idea of rural inferiority, a feeling of shame and guilt, like I am possessing something that is truly not mine and somewhat above me, when I speak of the English language as a part of me. I find I justify my likening of the language and my vivid use of it whenever I do, saying things like ‘it’s not cause I want to be cool, it’s a soul thing’. And it is…) when it comes down to the nitty gritty it’s all about pleasure. I love the sound that the English language makes when someone speaks it. I the love sensation of it as it rolls of the tip of my tongue. I love how’s it’s composed and how its words look when printed in ink or on a computer screen.

Mostly I love to try and tame it, to make it what I want it to be even if it’s not my mother-tongue. To be frank Swedish as I know of it now is not my mother tongue either, it’s a language full of “ô”’s and “he”’s and “je”’s.

“Je kan’t säga va sûm gjer Äng’skan tä ett tôcke vakescht språk,e. Me je vät att ho ä he.”

”I couldn’t say what it is that makes English such a beautiful language. But I know it is.”

On my army

In my large novel style project ’The Mermaid’, which has rested this summer and rightfully so, I write about the gathering of an army. An army which sets out to fight death. Usually when people set out to fight death in fiction I just get the feeling they are really seeking it. All the dare-devilistic things that people come up with as exciting and assume is living life to its fullest is often just really stupid. Not to say that you wouldn’t be slapping death on its fingers now and then by doing really crazy stuff, but I would guess that’s mostly of out luck.

I have tried to focus the attention of that army that I am building on making the most of every moment and trying to build a collective that would withstand all deaths trials. And I think I have done pretty well in building an interesting mixture of characters that from the outside doesn’t seem to have any thing in common at all (that was also my major theme for the text, to show that even though we don’t think we share anything we all share as much as we are willing to admit we share…) but that ends up beings closely intertwined for one major reason.

They have all suffered loss: Loss of ability or an appearance that they used to have, loss of a beloved or loss of a place or time. Death is the one who possesses all these things, and hence, in order to, not so much regain them but to teach It that It cannot go around nicking other peoples abilities just like that, they set out to fight It.

Anyhow I wanted to say, that as I wrote that text I began to think that it would be really nice to be part of such an army (even though I do have a flare for taking the lead I wouldn’t have to be the rallying force ;) ) that it would be amazing to be part of such force and such determination.
I realise now that I was very foolish in having these thoughts. Since the truth is that I am already part of such an army.

These past days I have realised that even more. Since I struggled to be able to survive in the Capital I began to see that so many people cover my back. That even though I didn’t know if they understood truly what my life has been about they give me proof again and again of knowing just what I am, and loving me dearly for it.
In this maze that bureaucracy is and amongst all the vipers in the grass that the bureaucrats are I know they walk ahead of me and behind me. To smash their machetes against growing branches threatening to choke me and pick me up when I fall.

I am sorry if I am making it out to be like I didn’t trust you to understand me, it is not so! Just that when I deal with these people telling me my disability isn’t major or consistent enough I wonder if anybody sees that within me.
If anybody sees the struggling that this is. I have known all the time that you have, I am just so grateful to see it now. In my time of need.

So this blog post is to be about my warriors. Those who walk ahead and behind of me and the people that have made up the army I longed for but didn’t see until I was desperate for it.

I have already spoken about my brother in this space, but I will gladly speak about him again. My brother Carsten and his fiancée Emma deserve all the credit they can ever get for always sticking by me and telling me to keep my head up. My brother deserves multiple thank you’s for his never ending fire within, for taking time to ramble in anger with me about how unjust all of this is and for keeping me on the ‘take no crap’-path.

The following where already part of my army before I knew I needed one. They are spoken about as a unit because I really think we are.
Katarina, Kicko and Marie. Thank you for always being interested in what I do. For brining forth your righteous anger with me when it’s needed, for helping me lay down my burdens by the whisky-cokes and the throbbing dance floors of tacky bars. For laughing with me and making comparisons to other well known crips such as Timmy and Jimmy from South Park and the magnificent Andy Pipkin from Little Britain (if Andy get’s a PA as good as Lou then I must be okay in the end…)
Thank you for seeing above and beyond my disability but never neglecting the fact that it’s there. Tämmy! TäKåKå!

My soon to be land-lady Ulrika, thank you for opening your home whenever it’s needed and especially in such a desperate time, for allowing me to bring all the mess that this has been into your life too and welcoming me with such open arms. True generosity.

Vata-Sister, Hillevi. Thank you for understanding from just the same spot how important a well balanced body is. Thank you for allowing me to ramble for hours on end about spasms and anxiety. We are so alike it scares me at times, but it’s very comforting to know that whatever I say you have felt it too. Long live the achy-shaky vata-hearts!

Last but not at all least my muses. My and Josephine. (in a way you are all my muses but I like giving people titles…okay ;) )
Firstly thank you both of you for an ongoing feast of inspiration whenever I come to think of you. You both share an aura of force and vulnerability than intrigues me deeply and sparks all my artistic fires.

Thank you My, for all your love and your support. For understanding what the important things are and never minding sharing them. For including me in what’s important to you and cherishing my thoughts and ideas. Thanks for bringing me to lovely places to see lovely people for making me part of their lives as I have become a part in theirs. For believing me when I say that I can do this. And reassuring me when I doubt. For sharing faith and strength with me and making me tea when I needed it the most.

And finally, thank you Josephine. For seeing all the facets that make me up and telling me that they are valid. For bringing a somewhat holy wrath to this fight and offering a very hands on support, for sharing ideas, thoughts and memories and building me up. Thanks for allowing me to be vulnerable when I need to and for seeing the absolute force that is me too. Thanks for your never-ending support of my work and your brilliant witty mind.

I have faith; after all I was injected with a massive load of faith growing up, that we shall conquer this. If you stand ahead and behind me now I promise cross my heart that I will do the same whenever you need me! Thank you again – the academy, Gawd, my parents, and my army!


Xoxo, Kittin! (Timmy, Jimmy, Andy Pipkin, Sally, Anne Bonny!)

On my brother, Warren Zevon and I

Below is the song ”My shit’s fucked up” by Warren Zevon.
http://www.youtube.com/watch?v=D2aUJF3gdog

I heard it on the radio yesterday and it instantly stuck. It is by far the best song ever written about having a body that (by age or other reasons) doesn’t work the way you would like it to…

“Let me break it to you son your shit’s fucked up… the shit that used to work it
wont work now.”

Recently as I have been planning my move to the Capital, which has been a very emotional ride, I have spent a lot of time crying in the bath, but equal time being picked up and pepped by glorious friends and family, I have come to think more and more about my body and the illness that it inhabits.

I have found that they way I speak and act, the articulate and verbal mind I have worked hard to gain and take pride in using often clouds the real state of my body. That my physical lacking gets shadowed by the way I express myself… It puzzles me that it doesn’t seem to be obvious that I am disabled. I wonder if my crooked legs and tensed hands are overpowered by my seductively unbuttoned blouses and pink lips. If my frame and my shaky way of walking doesn’t show cause I tell people I believe in

“a Theatre that resurrects and builds a community… that through the
juxtaposition and commonality of words and flesh aims to give all people a sense
of strength and pride. A Theatre that rattles as well as it dazzles...”

Today I met with my brother. We were born three months too early and the lack of oxygen through our underdeveloped lounges to our brains marked us permanently. It gave us a brain damage known as cerebral pares made our legs spasmodic and stiff and our balance poor. Growing up we never dwelled on this. Even though we spent months in hospital and hours after hours in sweaty gymnasiums with out physical therapists. We were happy, smiling and safe kids. Brought up to believe that we lived because of a reason but never sheltered from the injustice that come to those who are different but taught to fight through it. Taught that everybody has a something that is painful in their life, and that it didn’t have to be physical.

My brother is one of those intentional beauties. He’s hot- I can say that because he is my brother. Well groomed and casually smartly dressed in a way that I can only aspire to become. When I saw him today, sheltering his stepson in his tattooed arms and kissing his forehead, I came to think about how we view our disabilities and what it has come to do with the way we view others.

I have often been told I am very ‘Zen’, that I accept all that come my way are not very easily aggravated when thinks are not what I want them to them. I think this has a lot to do with my inability to move freely while growing up. Acceptance of the status quo was crucial for my survival – if I had blown every small thing that wasn’t the way I wanted up and become angry about it that would have taken so much energy.

Being this mindful also made me very aware of my own body. I wonder if my brother and I share that. If he too knows exactly where every stiff spot is, where every joint is when it aches and what every muscles does when it spasms. If he wakes up in the morning feeling run over, with pain rushing through like waves hitting the white sands of pain.

The paragraph above is also something I have been told I do a lot, I write about pain. I write about bodies and dirt and blood, other people say it’s icky and strong. I never see that. Sometimes pain is like an axe splitting your backbone, sometimes is like a pair of hands pulling the joints of your elbow in separate directions until it clicks. It’s not my fault; it’s the way things actually feel.

I have thought I didn’t dwell on my disability. But I have realised now how much of the work that I do that really is body centred, how my disability has given me a fascination of the able-bodied body and what it can do. How that has driven me into directing and acting, how my exploration of my own body and it qualities has given me a greater sense of what is perceived as normal and what is perceived as deviant, and what I ascribe to these two concept. My body has forced me into being still but given me a vivid imagination and an understanding of the written word because of it.

Because of my disability and the way others perceived me due to it, I felt the necessity to well articulate and driven. To rise above what other people saw as the sweet disabled girl. But it’s only recently and from others telling me about it, that I have begun to see the juxtaposition between these two images an how well I use them and thrive on using them. I like to think of myself as a mindfuck. I thrive on not always being what you perceive me as. I love how my awareness of my body and its sensuality succeeds not only in drawing people in, but also in rattling the close-mindedness that I too often meet while out and about.

But recently I have wondered. When being told I am too well to be given a PA when I move to the capital and having to tell people that I assumed knew what my disability meant for me in real life, once again, that I cannot mange on my own. I worry about passing as able-bodied even though it is very very visible that I am not. It puzzles me, and I don’t know what to do. What to change about my appearance and the way I act in order for them to give me what I need to survive. Of course I know that the answer is nothing, of course I know that it’s not a disadvantage that I am this verbal and driven. I know I have fought hard to become that and that it what has made me me. Still I wonder what they want a disabled person to be, who they see when they think of one, and what that person’s everyday life is like.

I wonder if my brother worries about this. If he too worries about the rapid decay of our bodies and if our liking of fitted clothes and dressed up appearances is an act of resistance against death. I know we could do better, exercise more, eat healthier, and sleep better. But we’re not like that, at least not now. Now is all about fighting the decay best we can anyway. It’s about unbuttoning the top button on my blouse before I meet with the municipality’s disability conslour; it’s about marking our beloved deviant bodies with needles and ink, about sheltering the kids that are important in our lives. To tell them what others taught us. Your body is only yours. Your mind is solely your mind. And your life is worth living.

Dearest beloved brother, my darling beautiful.

We know of pain and monotony we know of dread and bondage in its true sense. We know of deep fires and heavily beating hearts. We know of scars and casts and plastic tubes. But mostly we know of love. We know of laughter you and I. We know of freedom and rushing speed. We know that bodies are but bodies, muscles are but muscles. We know that weakness is needed in order to be strong and stillness is needed for there to be force.

As Miami Ink’s Ami James put’s it “WE FOUGHT TO MAKE, NOW COMES THE FIGHT TO STAY ON TOP!”